This group began sitting in July 2013 as an experiment using the 'Basic Guide' published by the 'Scole Experimental Group' in 1996.

We've changed the way we sit over the years. I am continuing to develop trance mediumship and Liz gives a mixture of evidential clairvoyance, inspired speaking and trance...

Our intentions are to receive information that will help us understand the bigger picture, why we are here, what happens when we die, the mechanics of mediumship and how we can help in raising the quality of consciousness...

...Nick Pettitt

168th Sitting 02-05-2018


We had the room setup as usual.

I did the opening prayer at 7.50pm, turned out the light and put the music on.

We did the Rainbow Bridge Exercise then continued on into the session...

17 minutes after the opening prayer Liz began to speak...

'My friends are writing in Arabic on the ground, on slate and I think they want me to talk about the delta T, about time'

Me... 'That would be interesting'

'They have shown me in terms of music, the fundamental which is a lower frequency but with a lot of power. And then they are showing me the harmonics, the overtones which decrease in power as they go up in frequency. So the very high frequencies, the top overtones are a shadow, a reflection of the fundamental with less power, less light. If you think of this in terms of light there is a lot of light and power in the fundamental but the reflections as they go on in a complex and evolving system where the fractals are broken off. Think of them in terms of the harmonics of the overtones. So the light in the higher frequency levels, in the furthest overtones is dim, dim in comparison with the fundamental but the fundamental is slow as it seems lower frequency contains within it all the harmonics, all the other frequencies, it contains within it all time, all the delta Ts, and so it is very high resolution, low frequency but high resolution, everything is held within it, but the overtones, the top set, the furthest reflections are dim in comparison and we are in an overtone, a fractal, a reflection, a reflection of the original fundamental of the original light and our purpose is to bring some of that light, that understanding, to bring more light into that overtone, into our range, into our frequency, into our delta T universe which we call our physical. To bring that light in to give it more definition, more power. To bring, to transduce some of the original power into that so all through us, all the overtones will have that much more power, resonance. Our role is to brighten the dim light as it exists in our sleeping semiconscious physical universe. To transduce that light so that at some point all the music of the spheres, all the overtones will be bright and clear and suffuse permeated with that original light and all shine brightly the music and then would be sublime, all times would be as one time and the dimmest reflection will be bright in comparison with what it is now, will come to life, will enlighten and that is the meaning of enlightenment, spreading through all universes and our role is to act as that transducer of the fundamental light which is there enfolding, holding all of these reflections in ways that we don't understand but the musical analogy I'm being given by my Arabic friends might serve to explain the paradox of us feeling very slowed down in our Earth time frame, but actually in the afterlife, in the other more rarefied atmospheres time seems slow in comparison with our time which is almost counter-intuitive. I see that the one, the fundamental holds within it the resolution of all time scales, but its own beat frequency is low when we think in those terms of frequency because it's a fundamental, it holds within it all the higher frequency overtone. So the dimmer light frequencies as it were, the overtones which are reflections, time seems to go faster in them because their delta T is actually operating at a higher frequency but the fundamental knows it all because it has all of these within it but its own beat is that which contains all the other frequencies and so its time is timeless in comparison with the higher frequency beats of the overtones. If that can make sense it's almost for some reason counter-intuitive to our perception but that's why the musical analogy of overtones which are contained within the fundamental may help with the understanding of this... I would like to thank my dear brothers in spirit for showing me this'

Me... 'Yes, thank you'

'I think I have Julian... Ha, I think he's saying "got it" he's showing me a watch... I don't know if he's trying to show me something about radioactive decay... I have a feeling he's reminding me that all clocks have a finite setting and they run down into the fundamental and fade until the next evolution, until the next beat of the gong. This is the understanding of the ohm. This is the significance of the breath of God. In the beginning was the word and the word was with God and the word was God, all things that are made come from the word, the original sound, the ohm'

'There's a Lillian...'

'We all have to learn as a lesson to trust in the underlying structure and intelligence of the universe and to prioritise our work as to bring light, to enlighten our Earth. We are the eyes of the Earth and to realise there is enough for all if the bounty and beauty of the Earth is evenly shared, we do not need to accumulate, to own, to acquire, all is freely given. The Earth is given, our lives are given, we do not need to take or acquire or struggle. All these things are natural when we trust in the intelligence of life we can perform our real task as human beings which is to enlighten the Earth by being transducers of light from the original light, to intensify the reflection that we are, to embody, to amplify, to focus. Our work is spiritual work while in the physical. It is not to acquire, take what is already given, to accumulate. It is to walk freely, to share, to distribute evenly the natural bounty of the Earth, to do our work as transducers of light, this is spiritual work'

'The expulsion from Eden was a myth generated to rationalise the erroneous belief in strife and conquest and acquisition. Personal enrichment and power which deep down we knew was a wrong path, was antithetical to our true purpose on the Earth, but which we chose. The expulsion from Eden was a myth, we were never expelled from Eden, we chose to leave of our own free will to experience the erroneous gratifications, not of the flesh but of alternative motivations, variations on the fundamental theme, off key. However the innate desire for harmony, to ring true is still there it has never left us. We chose to divert from the path and we can choose to return to the path when we have suffered enough from our disturbance, from our disharmony. The choice is ours. Those who wish to choose but find it difficult will have the help from those who have advanced along the path already and they will help with the return when that return is desired with sufficient strength. Those who have already returned to the path will be there to support and guide. You are not alone in your desire to return, you have the help from the fundamental, of the universe, from the helpers, from all those who are resonant with truth, you are not alone. Your desire is aligned with the will of the universe, you will return. We who have returned or have never left, we are like the piano tuners, when we hear the instrument playing out of tune our natural response is to tune the instrument, this we do. Those of you who are sensitive and respond will be tuned fast, those who are stiff and resistant will take longer but all in the fullness of time will be tuned and the instrument will be played true, it is inevitable. The tuners work hand in hand with those who have created the instrument. We who love you bathe in your trust and your blessings and your love as you bathe in ours. We are all one, held in the great fundamental, in the great truth, in the great ohm'

'I have Suzy here, my friend and she's saying "say it how it is Liz" she's beaming, she's with me in spirit, we danced together. She's remembering a dance we did on time, I can't remember the details, she's showing me the clock'

'I've got somebody who says they are Yellow Feather... This Indian seems to be working with wood, with an axe. Don't know if he's carving or shaping the wood. I see him with one band around his head, loose leather trousers, bear chested, long black platted hair. I think he's making wooded sculptors, totems, religious symbols. He's showing me these objects imbued, they were used objects but they were imbued with a certain vitality imparted by his axe, by his intent so that they graced, they carried a portion of his spirit so it helped to earth it and all those who came into contact could share of it. It helped to earth or fortify the meaning of connection to the fundamental or source or great spirit. I've got the word Philadelphia'

'I've just seen a funeral cortege, old fashioned cars, people in top hats, flowers, horses. A rather public funeral. I don't see carriages just horses and cars... just keep seeing large gates, wrought iron gates. Feels like I'm looking at Westminster Abby or Buckingham Palace, I'm in London. Now I'm going to the blue sky, blue and gold... Got the words... My heart is in the Highlands where I long to be, sense of the kilt and the bagpipes...'

'Got this ridiculous image of I want to roll the world into one little ball and eat it whole and it reminds me of the old Hindu saying... I am this world and I eat this world, who knows, knows 

'I keep getting Marigold and I would like to say now as we come to the end of this session, I'd like to thank all our helpers and to share with them all the love and blessings of the universe, for ourselves and for them'

Me... 'Thank you'

'Thank you all and God bless everyone... love and blessings to one and all'

Liz had a picture of a great stag.

I played a tune while Liz came back with it.

We then discussed our Rainbow Bridge Exercise...

Liz started off walking through a field of brown onions. A rather plain field and in the distance were hills and a sense of a rainbow light. As she walked towards the hills Liz got immersed in this rainbow mist and came to a dividing point, a bridge. On one side was this brilliant landscape of fruit trees and flowers, lots of colours and on the other side were fields of toil, of onions and corn. Then two Arab men came towards Liz and showed her the fields of harvest on one side and then the toil on the other side and said it was the irregulated religions that had imprisoned us in a philosophy of work and hardship which had dulled down the native hue of these plants and they showed Liz that in a different light these onions were beautiful, suddenly everything looked green and bright. They showed Liz that although this was a lower vibrational level there was no difference in the light potential. Instead of being ground down in this philisophy of hard work, if we were aware of the spiritual nature of each blade of grass and hold in mind the intrinsic beauty and light within every single growing phenomena it would transform our world into one as beautiful as the higher vibrational one. Then they were in a courtyard and the Arab men started writing on slates a triangle and Liz realised they were writing the delta T, they were teaching Liz about time. Liz felt they were telling her something important so she started to speak...

I started off with a question in my head about the communications we get through mediums and how this information can differ from medium to medium especially about reincarnation and I wondered how we can know what information is correct and I then found myself in a giant library full of books which then changed and I was floating with lots of dim lights around me and got the impression that this was a library of experiences, every experience every living thing had ever had and I wanted to gather all these experiences into one and ended up holding a ball like a cricket ball which contained all these experiences. Then I saw that I also had a similar ball inside me and everybody had these balls inside of them and each one held their own experiences which affected the way they interpreted reality. Everybody had their own unique way of interpreting based on their own experiences and this was why information coming from spirit can be distorted by our own experience base while we are in this physical reality because we are interpreting it in our own unique way. It's not that it isn't true it's our own truth and it's not until we move into the next world that we can see all these truths together as one...

I then did the healing exercise, closing prayer and our closing down exercise...