This group began sitting in July 2013 as an experiment using the 'Basic Guide' published by the 'Scole Experimental Group' in 1996.

We've changed the way we sit over the years. I am continuing to develop trance mediumship and Liz gives a mixture of evidential clairvoyance, inspired speaking and trance...

Our intentions are to receive information that will help us understand the bigger picture, why we are here, what happens when we die, the mechanics of mediumship and how we can help in raising the quality of consciousness...

...Nick Pettitt

133rd Sitting 14/03/2017

We had the room setup as usual.

I did the opening prayer at 7.10pm, turned out the light and put the music on.

We did the Rainbow Bridge visualisation exercise...

Liz found herself standing in front of a very fast flowing deep river watching the lights reflected on it from the moon and stars and surrounding buildings. She became aware of white stepping stones but they were deep down in the water and Liz wondered how she could cross the river without going under water. She then saw plastic fairy figures on the water and scooped them up throwing then across to the other side. Liz then decided she would try to cross on the stepping stones even though it would mean going under the water, she felt this was meant to happen and as she went deeper and deeper she became aware that she was in contact with all the roots of trees spreading out like being on a forest floor. Liz felt this was the level where you have contact with the universal unconscious, the Earth's unconscious and she was aware that around her were all these little creatures like elves, faries, knomes and butterflies and they all had their part to play. Liz then became aware of the importance of having feet on the Earth and the importance of cobblers in fairy stories making shoes because the feet are important, through them we feel the vibrations of the Earth. The faries were making music with panpipes and string instruments and this music was important as it was another connection with the Earth energies. We need to be in touch with that deep level of the elementals because they are at the elemental level, the deepest level of the Earth. Then Liz saw that the stepping stones were bending round to the right and as she followed them she saw in the distance a tall white tower like a temple stretching up out of the Earth, a spiritual accent...

I started off seeing a coach and black horses. It looked like a hearse, big glass windows and had glass steps at the back leading inside. I went in and there was one seat facing forward so I sat on that and then the horses started to move off along a twisty, narrow country road. There were people at the side throwing flowers that landed on the roof, like large daisies. The horses then changed colour to white and started to take off up into the sky. The scene then changed, I saw a toddler boy like what I had seen at the end of our Mercury Light session last Thursday. He had all the daisies in his arms and arranged them in a circle around us. Then a big glass bubble rose up from the daisy circle encasing us in this glass dome which then suddenly burst and we found ourselves in a cartoon reality full of children and cartoon characters playing and the toddler ran off with them. I then found myself looking at the reality as if it was on a TV screen and there were other people with me who seemed to be connected with the children. They told me this was the reality that children went to when they die, it had been created by them and they could stay there as long as they wanted until they were ready to move on...

I put the music back on and we continued the session...

It started to look flickery in the room to me and looked lighter each side of me.
I saw a few dim lights moving around.
I got an image of a pair of slippers and a toy dog.

Liz began to speak...

'I've got the word oval... made me think of Oval House near Brixton, an art centre for young people'

'I'm aware of a young man being sick in a bowl or wash basin'

'I have a sense of flat roofs like in Middle Eastern country. I'm aware of a long line of young men being asked their financial status, a sense of them being questioned. They were dressed like the young man that was being sick in the bowl'

'Sativa or Satvah'

'Got a large telegraph pole, lots of lines coming off it'

'Philip'

'Barbara of Seville'

'I asked for a message, I just got this image of a dove, bird of peace, with an olive branch in it's mouth, or mistletoe'

'Simeon'

'Telegraph pole, newspapers, the whole information network... I'm asking who's in charge of this information network and I got some nightmarish figures like in Marilyn Peake's novels, they look like trolls and a white sheep, a sinister sheep'

'I see this mirror spread out over the Earth, a mirror like in Snow White, the mirror the Queen looks in and says... Mirror, mirror on the wall, who's the fairest of them all? The mirror does show the truth but not the truth that you want, not the truth that you believe but the truth that's maybe unwelcome because you may believe you are fair and beautiful but the mirror may show otherwise. I see a very fine line and it's going from the very bottom right up to the top, beyond the clouds, the fine line that takes you to truth. It's like a very strong but very fine line that you can follow like a discernment and that's the quality of what is true and not true. It's the spiritual quality of discernment, to be able to discern what is true and what is not true, the false from the truth. You have to have this connection with the beginning and the end like an overview. We're being shown a lot of untruths, a lot of images, a lot of unwelcome information that may not reflect the truth. To know what is true and what isn't requires this discernment, this fine connecting line between Heaven and Earth, between the mundane and the absolute, the differentiated and the undifferentiated, to know the beginnings and the ends, the opposites and the togethers, it's the fine line of wisdom. Wisdom is discernment, the judgment, it's a hair breadth, it's so fine, it's like Occam's razor, a knife edge, it's the in-between. You will be asked... Is it true that all men are born equal? And you begin with saying let's look at this, it may be and it may not be and you look at the assertion and you look for instances where men are not born equal, some have no legs, no mental faculties, no common sense and others have great gifts and intelligence and physical prowess and you say well that doesn't seem like equal but then you say in what sense? In what other sense could they be equal? So you go on looking. A fool might say oh yes that's true but that would be just a belief because has he really looked, has he used his mind to discern whether there is truth in that statement, what is the case? If you put your hand in this water at zero degrees centigrade your hand will be cold, will freeze. Is this true? And you have to check, you have to discern. It may be a case for a lot of people that there maybe anomalies, maybe there is someone who can put their hand in and it won't be cold, it won't have the same effect. We have the diamond wisdom and that's the many faceted aspect of truth like in a prism. You can split the light into many colours and each of them is an element of the white light, each of them is true but the whole truth is when they all come together, the whole truth can be split into many facets of the truth, to know the whole truth we have the whole diamond. We have partial knowledge, partial understanding and the wise man knows this, knows that he doesn't know. He has to fathom the truth, he has to discern, he has to sift the false beliefs from the actual experience of how it is. How it is shifts, it is not fixed, is there anything that is fixed? Knowledge itself is evolving so from the mortal point of view the truth may change, may evolve. What is true today may not be true tomorrow. A keen mind, a creative active mind moves with the times, is constantly reassessing, re-evaluating, refocusing, refiltering. It's not static or stagnant but the many minds in the world are fixed, they're holding on to old outmoded ideas and beliefs. They're not in the present, they're not vital, they're deadened, dull, content to be fed the false images from the mirror of the trolls without understanding, without interrogating. You have to interrogate the mirror, what is it I am seeing? Am I the fairest in the land? Is someone else fairer than me? That may or may not be true, the magic mirror may be lying. Test it, check it out, don't believe without evidence, without discernment. Trust your own ability to find the wire, the line, the tap, the infinitely fine line, the razor edge. Intuitive wisdom to see what is as opposed to mirage, reflections, mirror images, the face behind the mirror, the face behind the face, the space behind the space. Look for the gaps, the intrinsic properties, taste the full flavour, savour the full scent, appreciate the full touch, resonate with the full sound, see with the full vision, use all these faculties and the deep inner vision, the intuitive vision. Use what you are given and more will be given and if you don't use it you loose it and it withers and dies, you become dull. There are many that are born and it is as if they haven't been born at all, their lives are on hold, they have not fully incarnated, they haven't fully become human, they haven't grasped the full opportunity and they've wasted their time content to feed on lies, content to believe in the mirror images that are fed to them. So pause in your lives and take stock and ask yourself what is true in all this. Is there truth and what is it to me, what is my truth, what do I truly know and if you are asked a question is this the case? don't say yes, don't say no, say maybe and then look because if you jump to the yes or you jump to the no you have fixed that truth one way or the other before you have jumped to the in-between and looked from all angles, from all perspectives, all possibilities. So wiser to stay a while with maybe and consider and test and contemplate... That’s the beginning of wisdom' 

'I have Simeon, he's dark haired, a large man, dark curly hair'

'I sense these lovely minds, these vital minds around, these people who are alive and full of enthusiasm and vitality, live minds. It's good to have them, when you meet those people you know you are in good hands, they have an inner light and it radiates'

'I come back to the Oval again, an art centre where people of all ages are encouraged to explore and create using imagination, dance, theatre, poetry, music... blessings'

Me... 'That was very interesting what you said about truth, it's something I often think about myself'

'Thank Simeon'

I played a tune to help Liz feel back with it.


Then I did the healing exercise, closing prayer and our closing down exercise...


132nd Sitting 07/03/2017


We had the room setup as usual.

I did the opening prayer at 7.40pm, turned out the light and put the music on.

We did the Rainbow Bridge visualisation exercise...

Liz found herself with the moon in front of a choppy sea. She was then swimming through the waves towards a boat feeling excited. Liz pulled herself up onto the boat which had only one person on it. She wasn't sure if it was male or female but probably female with a triangular hairdo that reminded Liz of an Egyptian headdress. Then Liz was looking at this person from above who was looking up at her and Liz realised it was a person she knew, it was Sheila Routh who had done illustrations for one of Liz's books called Giliatorsin in the 1960s. Liz then became aware of all these Egyptian friezes, long horizontal bands of pictures but they were of childhood animals like the Beatrix Potter animals. Liz reached down and pulled Sheila up with her and they found themselves with patterns and mythological creatures. Then Liz found herself by a cupboard that was tightly closed like two intertwining claws but she managed to pull it open and out tumbled children's toys. It was like a memory of childhood juxtaposed with how we have left it all behind. The adult world is engaged in games but of a different nature, it was a sense of the innocence of children looking up to the adults. Liz felt it was a locked away part of ourselves but it needed opening up and readdressing. That time of play was very important for children and they should have that for as long as possible. Children that had been damaged or traumatised should have these toys to play and act out their dramas and hurts which was very important...

I started off in a tower block looking out of a window at the moon. It was bright and full and as I looked it seemed to be starting to boil like looking into a boiling, bubbling pot of porridge. Then I found myself moving towards it up into the sky and as I got closer I felt the heat coming from it as it boiled away and bits were shooting off it as it bubbled coating me it what appeared to be warm white blobs of porridge. As I got closer I turned so that my back got coated as well and I saw a giant gorilla looking at me. When it saw that I had seen it it turned and disappeared in another direction. The next thing I knew I was landing on my back on the moon and continuing through it. I was swimming through this hot thick porridge which got cooler as I went through then I popped out the other side which was dark and cold. It was the dark side of the moon but the white coating I had was still shining and producing light and as I hovered over the surface I lit it up and the baron surface started to become green with plants and trees. I was aware of dark coloured birds flying around me looking like prehistoric birds but they didn't like the light I was emitting and flew away to be replaced by colourful tropical birds that flew around and landed in the green trees...

Liz found my visualisation very interesting as it was very similar to one of the stories in her book Giliatorsin.

I put the music back on and we continued our session...

I had an image of a coin with the head of Silver Birch on it.

Liz had an image of a black swan.

Liz continued...

'I've got a strong image of Princess Diana. I'm looking at a necklace around her neck with cut jewels, not sure if they're diamonds... it's like I'm looking at a jig-saw puzzle'

Liz then fell asleep for about ten minutes.

Then she continued...

'I've still got this picture of Princess Diana and this diamond necklace... very gentle... just got Rupert Bear... I guess all those little children and toys would have been close to her heart... I had a feeling she was saying something about Tiggy the nanny with the boys. I just had a feeling of her, warm and encouraging, she played with the boys. Tiggy Legge-Bourke, I think that's her name, yes I think she had a soft spot for troubled kids. She recognised the value of toys and play... Almost like jaconda or jacinth, orange blossom, lilac, lovely flowers... yes don't forget Tiggy... I got the name Holly... terracotta...'

'Just looking at a children's dish with a Beatrix Potter animal on it'

I asked if she knew which animal it was?

'I don't know if it's a fox or a dog... looks like a collection... squirrel nutkin and the wise owl'

'Just got the name Alice Nuttley, I think she did some books, little grey rabbit'


I played a tune to help Liz come back then did the healing exercise, closing prayer and our closing down exercise...


131st Sitting 28/02/2017


We had the room setup as usual.

I did the opening prayer at 7.20pm, turned out the light and put the music on.

We did the Rainbow Bridge visualisation exercise...

Liz started off with multicoloured tulips growing either side of her. It was as if she was going backwards through them on a canal boat laying on her back. It gave her a sense of being in Holland. She saw a penetrating blue sky above her and then it was as if a silk rope was dangling down, urging her to climb up it and Liz found herself climbing this cream, white, silk rope up into the clouds. She then found herself lying above the clouds and there were also layers of clouds above her with rainbows of light coming through them. In the blue sky Liz saw a glass escalator and found herself going up it. When she got to the end she was back with the tulips and wondered what the significance was with these tulips so she paused and let the tulips speak to her. She was aware of the connection with Holland and the book 'The Black Tulip' As Liz looked into a tulip it had this black eye in the centre. She thought why would somebody want to create a black flower and was aware that all the light around her was going into this blackness and saw how a black flower absorbs all this radiation and became aware of the significance of this. When all the colours are absorbed then you have black, this denseness and the dense creatures on the Earth were all absorbing all this light so that we became almost negative, completely concentrated and heavy. Then Liz realised that all that light was in the body and it now needed to radiate out. All the creatures and flowers of the Earth were radiating this light outwards from this dense state of the Earth having become an absorbing lump of rock. Our role on the Earth was to begin to radiate out this light that was concentrated inwards in the density of out bone structure. We were black but we were rainbow people...

I saw what looked like a man in a wheelchair but he was shining and transparent as if made out of glass. He started to move away from me and I felt I was connected to him somehow as I got pulled along behind him into a wooded area and as we went through the trees many more people joined us also being pulled along. We came to an opening in the trees where there was a huge round pond and the man in the wheelchair continued into the middle of it, floating on the water, while the rest of us spread out around the outside of the pond. I then noticed that everybody including myself were dressed as sailors in white. As we watched the man seemed to melt into the water and became a long shaft of bright white light coming out of the water and then what looked like a church tower or steeple began rising out of the water with the shaft of light like a spire on top. As it came up the water level dropped until there was no water just dry sand with this church steeple in the centre. We all then ran across the sand picking up handfuls and throwing it over ourselves as we made our way to the tower and through the doors and inside where it was pitch black and then we were all floating. Then the spire came down into the steeple and we all became pulled towards it and were absorbed into it as we all became this light in the darkness... 

I put the music back on and we continued the session.

Liz had a strong sense of an elephant.

The front of my legs felt cold.
It started to look light and misty then became blobby in the room to me.
I got a brief image of a man with dark longish hair and a polar neck shirt looking very 1960s.

Liz got an image of beatles and it made her think of the pop group, she thought maybe George Harrison was with her. She also got images of lions and circus animals.

Liz continued...

'I've got an image of a key board, black and white, ebony and ivory. Drums come to mind'

'I'm being shown children's books, thought it was Kenneth Grahame's 'Wind in the Willows' might have been 'The Piper at the Gates of Dawn''

'Keep getting all these animals, lion with it's long tail, black panther, exotic birds'

'Just have the words I received a long time ago... 'The Earth is a roosting place for the most marvelous birds' and it's true, every creature is miraculous, and the rainbow magic, the magical mystery tour'

'I see the paradox of trying to fit it all into a zoo, behind bars. We've imprisoned a magical thing, a mythical thing, imprisoned it in a cage, tamed a free beast, tried to subdue that what was alive and holy and miraculous, submerged and repressed. It needs to break free like the parrots that have freed themselves and are breeding in the wild parks of London'

'All our illnesses come from a deep repression of the resistible forces, the velvet underground, the sensory aspect of the unconscious urges of life. We've been born from the velvet underground, a deep cavern of the womb and our connection with that space, with that flesh and blood is then denied a natural connection of flesh with flesh, of earth with earth imprisoned to the detriment of human development, to the detriment of the human becoming human, denial of the entry into mortality. To become fully human, fully incarnate, fully mortal is to connect with the velvet underground at a holy space'

'The church denied the connection by embracing a story of immaculate conception. God did not want the womb, flesh was to be denied and Mary had to be a virgin, immaculate. There are great lies that have been told'

'Man has the vestiges of a tail and it is not to his shame, his detriment, it is his supporting root into the Earth. It is part of his heritage, his proud connection to the creatures of the Earth and his denial has fed that lie. There is no barrier between animal and spirit, spirit is present in everything, every living creature partakes of the one spirit. There is a tale to be told of the human ape with no tail who rose to radiance, insublimating and fulfilling his Earthly connection along with all creatures of the Earth with harmony, a rainbow creature among many rainbow creatures, spearheading the evolution of the Earth, becoming the eyes of the Earth, containing the consciousness of the Earth, accessing the memories of the Earth, helping the evolution of the Earth and the human became a magician, circus master of the magical mystery tour'

'Those who live in darkness will see a great light and the light will shine through their darkness illuminating the path ahead and the third eye and then I shall see as I am seeing and I shall be fully human. But many are still living in cages, they need to be set free and the first step in that freedom is to undo the lie, to clear the lies, to take away the false beliefs, the false indoctrinations, the false moralities, to clear the slate. We do it by teaching people to think for themselves, to teach children to teach themselves, to think for themselves, to see what is, what is there without indoctrination, to use the senses, all of the senses and to begin to use the third eye, to awaken, to question, until the teacher becomes the facilitator, a mentor, an awakener. The teacher becomes one who awakens each child, each adult's inner teacher, encourages the latent human to become their own teacher and guide, to listen to their inner voice and to see with their own inner eye, to have the courage and confidence to do this without fear of reprisal or repression. The human tale is the lion's tale and the lion is courage, courage to take this tale further. I'm telling the tale, that is my tale to be told, call it the testimony of George'

'I see these two bookends carved in ebony and between them is a rainbow and a strong sense of electrical current passing between these bookends. The bookends are African. The books have disappeared and in their place is this electrical current creating rainbows which seems to represent inner knowing, the rainbow of the kundalini, a knowledge of the inner planes, authentic knowledge, not book learning'

'I just had the image of the snake that has shed it's skin and slithered away... thank you Mr Snake'

'Just had Terrance Stamp and a sense we're all good friends here, Abbey Road, continuity'

'Keep coming back to this deep velvet blue, velvet underground, Gordon, cordon bleu, pipe cleaners...'e, to 

I played some music as Liz came back.

She got an image of gold rings.

When she was speaking I had an image of the face of a black and white minstrel and then saw a river full of plastic ducks.


Once Liz was feeling back with it I did the healing exercise, closing prayer and our closing down exercise...