This group began sitting in July 2013 as an experiment using the 'Basic Guide' published by the 'Scole Experimental Group' in 1996.

We've changed the way we sit over the years. I am continuing to develop trance mediumship and Liz gives a mixture of evidential clairvoyance, inspired speaking and trance...

Our intentions are to receive information that will help us understand the bigger picture, why we are here, what happens when we die, the mechanics of mediumship and how we can help in raising the quality of consciousness...

...Nick Pettitt

129th Sitting 14/02/2017


We had the room setup as usual.

I did the opening prayer at 7.10pm, turned out the light and put the music on.
We did the Rainbow Bridge visualisation exercise...

Liz found herself in a midnight blue scene with a full moon at the roots of an enormous shining silver birch tree. She had followed a girl with a hood on into this wooded glade and there was a large pool there. Liz thought of the spirit guide Silver Birch and the emphasis was on Silver. She then found herself with an Indian Chief who then turned into a Tibetan, quite rotund, with a moustache. Liz wanted to be in the pool, in the water and he told her that was fine as it was easier for spirit to make contact when we are earthed in water. The water was silver and felt like velvet as the moon reflected on it. Liz was aware of dragonflies and other insects and was shown the larvae and the dragonflies immerging from their nymphs. Liz then saw a group of Aboriginal people eating the roots of bulrushes or lily stems and was shown that this lifestyle was very important, the contact with the Earth, living with nature. She saw the seed of the bulrushes, the germ of the seed and the new plant coming out of it. It was the teaching of the creative process that goes on iterating, repeating the process and evolving as a pattern and in every single bit of it is a whole, a whole new beginning. Liz was made aware of this. By just sitting in the pool in this one place the whole richness of the creative tapestry was revealed, was seen in its developing intricacy and Liz realised that the chaos theory somehow explained that process mathematically...

I saw a young girl dancing like a ballet dancer and as she danced strands of silvery web were trailing from her and building up on the ground. She started circulating round and round me building up a wall higher and higher then closing in at the top like a dome. I was now encased in this silvery dome. It wasn't dark as light was getting in and I could see shadows of things moving around outside it. Then it started to split open as if two hands were pulling it apart. I looked out and saw a huge bird like a crow in a nest. It was as if I was immerging from an egg and I saw other eggs in the nest with people crawling out of them. The bird then started to feed us, not with food but with thoughts saying the only thing it couldn't feed us was experiences, these we had to have ourselves but it was feeding us all the tools and information needed to help us experience and it was up to us whether we used them or not. We then all took off into a cloud to begin a new life...

I put the music back on and we continued our session...

It started to look misty and light in the room to me.
I had a pressure in my right ear.
Then it became blobby in front of me and I saw a few pin prick lights.
My left leg went fuzzy for a few seconds from the knee to the foot.

Liz started...

'I seem to be looking at a cake doily, a lace table mat. I have my old friend Susie Buckridge with me and she's brought along another friend Alice'

'It's like I'm going into a doorway and there's a big lion or creature in it, it's okay I'll go through. It's turned into a big wicker basket getting deeper and deeper, going down a long way... seems to be going round a corner... going round a spiral like a cork screw. Crown, an image of a king on a throne, old King Cole was a merry old soul. Got a sense of a very radiant smiling presence, jolly, like a cockerel, iridescent feathers, tail feathers turning in, cantilever, sort of joint... feel as if I'm in a racing car at the wheel... I've got somebody who looks like Spike Milligan, a thumbs up sign, sense of a boat, now seem to be on a toboggan or sledge racing down a slope, Christina, get a sense that name is like a female Christ, got a kinetic sense of drumming like being inside a vehicle, being inside a floatation tank'

'Coming back to these doilies, got a girl with long flaxen hair and a cap... a long line of people pushing each other along, they are in wheelchairs... a space seems to be forming, got the name Simon'

'Got somebody that looks like my Uncle Bill, got my dad with him, they're looking around a bit, they're being a bit irreverent, they've got something that looks like it could be a religious symbol connected with the Torah, making a bit of a joke of it, gooning around, they look happy, perhaps they decided that all those religious fetishes and rituals were just paraphernalia, didn't do a lot to tell you about the real life, a life that continues, a life that's full of fun, a lot of exploring to do'

'Something about snowballs...'

'Got a picture of Aunty Binky, she's alright now, she had dementia, it's like a photo album, a lot of my family... I'm wondering if they are all pleased because of these babies that have been born, yes there's three new babies in the family, on both sides of the family'

'I've come back to cats... unless it's Kate... Pricilla, Prudence, yes the doilies could be Pricilla, Wolfie... and the cat, she loved cats... that could be the connection with royal, Wolfie used to be a royal seamstress and she worked with people in wheelchairs, people with disabilities'

'Georgian, sense of pedigree... like a large umbrella, parasol, parachute... Pinewood Studios, Coventry'

'Something to do with Alice, a headband, a scarf tied around the head... She's turned into a rabbit'

'I'm asking is there anything for Nick... you haven't got an Aunt Fanny?'

Me... 'No I don't think so'

'Funny... looks like violet, picture of an iris in a clear glass of water... now seems to be in a large top hat... got a sense of pebbles, connection with Pevensey Castle, I can see the tea rooms... now towards Hooe to Battle. I'm looking at lining material, brownish gold heavy material, looks like the lining material inside a top hat or a hat band... a strange small man like Popeye... connection with a funeral, lining material of a coffin... got the sense of the stitch around my midriff... ducks in water... Dorothy'

There were quite a few things in what Liz said that had something to do with my family and friends. Some may have been coincidence but I felt she did have a connection at times.

Liz then asked for a tune to be played as she came back.


I did the healing exercise, closing prayer and our closing down exercise...