This group began sitting in July 2013 as an experiment using the 'Basic Guide' published by the 'Scole Experimental Group' in 1996.

We've changed the way we sit over the years. I am continuing to develop trance mediumship and Liz gives a mixture of evidential clairvoyance, inspired speaking and trance...

Our intentions are to receive information that will help us understand the bigger picture, why we are here, what happens when we die, the mechanics of mediumship and how we can help in raising the quality of consciousness...

...Nick Pettitt

88th Sitting 05/01/2016


We had the room setup as usual.

I did the opening prayer at 8.40pm, turned out the light and put the music on.

We did the Rainbow Bridge visualisation exercise…

Liz started off on stepping stones covered in moss by a waterfall and stream. She followed the stream which ran through a meadow and then a corn field. She was amongst all the beautiful golden corn looking up at the clouds in the blue sky and there was a wonderful sense of happiness in this scene. She saw the water course running through and into the sea where white waves were breaking and rainbows covered the sea. Liz carried on down to the sea and found a boat which she got into but the sea was too rough, she needed it to be calm so she could row out in it. She then made it calm like a deep blue mirror; she could see the fish swimming and the reflection of the clouds and sky. She felt she wanted to be with all this so swam down under the sea and then found herself swimming on her back looking up at the sky, a wonderful sense of ease. Then a hand came down from out of the clouds and plucked up what to Liz appeared to be a little Liz and she was watching all this. This little Liz was held by this hand and taken up into the clouds. There was a wonderful feeling of this presence, of being there in this medium of air and water and cloud. Suddenly coming towards her Liz saw a figure looking like Tom Campbell dressed as Father Christmas. He said… ‘Do you want to see what Christmas presents really are?’ Liz said ‘yes’ as they were racing through the air on a sleigh. He said the presents are the present as in the here and now. He took Liz to a snowy landscape where it was Christmas and the birthing of the Christ, the Christ child and the star. The sky was now starry and the angels were singing. He said that the gold, frankincense and myrrh are the real presents; these are resins from the Earth, all the presents that you need you will get from the Earth and by being present on the Earth you have presence and the birthing of the Christ child was the birthing of presence. For children it’s the magic not the presents in boxes, it’s the magic of presence, being in the Earth with all these elementals, beings and creatures of this manifestation, of nature…

I was aware of a flower slowly opening up from a bud changing from green to bright yellow then I realised that I was a bee and once the flower was fully open I dived in amongst all the stamen and pollen and felt I was becoming one with the flower. I wanted to stay there and kept hearing the flower thanking me for being there. Then I looked up and saw the sun in a clear blue sky and felt the goodness beaming down into this flower. I decided I wanted to visit the sun and took off towards it. When I got there I saw that the sun was made of yellow flowers and I immersed myself into it and felt the living energy of all these flowers. Then I noticed the moon which looked lifeless and cold. I felt sorry for it so took one of the flowers from the sun and flew with it to the moon. When I placed the flower on the moon it lit up as if becoming alive and energized. I then looked at the Earth and saw points of yellow light on the surface but there were also areas of darkness and I got the feeling the Earth needed more yellow flowers because the yellow flowers represented love and the darkness was fear. It seemed like the sun was trying to pour more flower energy into the Earth but it was up to those who lived on the Earth to receive it and fill the Earth with love…

I put the music back on and we continued the session…

I felt tickles in my hair on the back of my head.

I had several random images of people’s faces smiling and laughing.
Then I got bright blobs coming and going in front of me.

Liz got a pair of big eyes looking at her; they looked like bee’s eyes.

Liz got the name ‘Rebeca’ and then ‘Rivka’  

Then she got ‘Janis’ someone she knew.

Liz got ‘Telegraph… a bunch of roses, cream and white… an image of a squeegee mop’

Liz continued…

‘Got a sense of a wheel, tyre tread like a tractor wheel, large wheel slowly turning…’

‘The word tellurium, it’s of the Earth… cleansing spheres, we need to free our self of the obsessing attachment to the Earth, illusion of the Earth as a world, to be able to experience clearly, to be able to experience the presence, especially at Christmas and the white roses are for purification’

‘This strange image of a man, a working man, a farm hand hiding a star in a dry stone wall, hiding it in the stone. The star is like the sun, all that light, why would he hide it in a dry stone wall which is a barrier, part of our fencing to keep things in, to keep things out, walls, such a strange thing to do. The working man in a Shetland sleeveless jumper and shirt and a peaked cap. A labourer on the fields hiding stars in the walls’

‘I guess what we’ve done with the Earth is we’ve taken what is vast and magical and we’ve parcelled it up, we’ve taken the great presence and we’ve parcelled it up, parcelled it up as little presents, little parcels of land fenced around, walls to keep in the sheep and the sheep that should be feeding in the high mountains and pastures become a commodity. We’ve hidden that light, that magic light, we’ve lost it, it’s got solidified, ossified, fossilized in stone and you won’t find it again until the walls are broken down, taken to pieces bit by bit, take the stones apart. Hard work and that’s the real work for the working man, to dismantle, to undress, to disclose, to uncover, to reveal the star that he’s hidden, the sun, trapped light’

‘I have this penetrating blue sky with absolute joy and very quickly this thin shell like a web, a sticky web, begins to form over it and I have this job to keep clearing it away like a windscreen wiper. Just need constant vigilance… Have to keep going back to that original light, that penetrating blue, the sky, the depth, light, not to let it get obscured, obscuring is the way of the world and it limits the joy, limits everything, but to hold onto the limitless is an act of constant attention, attending to the presence’

‘Got another picture of someone in a frogman’s suit, with a gas mask on, sweeping, cleaning up like sucking up rubbish, quite delicately brushing’

‘I got this image of Mary Queen of Shops… and then I got all the pigs in blankets, all the Christmas cooking and feeding stomachs that are over-fed. Just this sense of displaced values and degeneration of natural creative beings… You can feed joy or you can feed greed, it’s a choice. Many have lost the taste for pure water’

‘Just have this image of a serpent, a serpent has a shiny skin, the scales are like a mosaic and delightful to behold, are beguiling… Many hold on to the tail, the mosaic of myriad patterns, seductive, gleam and shine and forget that the serpent has a sharp tooth. The sharp tooth poisons and the poison spreads and leads to decay and death’

The music ended.

Liz thought she had somebody with her and continued…

‘Carly or Karen, looking up through the trees at the stars, through the roof of the forest, she just wants to give us a star, it’s the Christmas message, the star which is the sun, which is the Christos and to follow the star like the wise men and forget the tinsel… That’s all’

Liz then picked up soft music in her left ear which lasted about a minute.

Once back with it Liz did the healing exercise, closing prayer and our closing down exercise.


Liz had remained awake this week and apart from about five minutes I remained awake as well…