154th Sitting 12/12/2017

We had the room setup as usual

We went back to reporting our Rainbow Bridge Visualisation Exercise to each other before continuing with the session.

I did the opening prayer at 8.05pm, turned out the light and put the music on.

We did the Rainbow Bridge Visualisation Exercise...

Liz found herself on a muddy bank of a river. There was a stone bridge to her left and a white painted metal lattice bridge to her right which she chose to go over. On the other side was a large green park area with lots of people walking around doing things. Liz was more interested in beyond that where there were hills full of bushes and trees and mountains. Liz wanted to get to the mountains and asked for help. Then as she crossed the bridge wild white geese came down and one of them took off with Liz holding on to its feet. Another goose flew under her and Liz let go and landed on its back which was wonderfully soft. They flew over the bushes and trees where Liz saw temples and other buildings. They continued to the mountains and at the top was a place like an observatory with astronomers and telescopes. They were looking up at the stars and out over the Earth. They said they were coordinating movements and the shifting energies of the Earth and its relationship to the planets and galaxies. They explained that every time something changed or shifted they had to re-calibrate everything. It was like a dance, a piece of choreography, if you change one set of movements you have to look at the whole set and change accordingly or like a painting if you change a colour you have to change all the other colours. They said it was a very subtle thing, it looks like it's done with technology but it's much subtler than that. It was just lovely to see and watch and feel that this was going on and Liz liked the analogy of it being like a dance...

I started off on a grassy bank leading down to a river with stone steps to a bridge made out of shiny varnished bamboo. I looked over to the other side which looked like a beautiful sunset with reds, oranges, yellows and shades of blue. I started to walk across the bridge and it suddenly split into a fork going left or right. I chose the right fork and continued walking. The atmosphere started to change, becoming very bright and white until I could no longer see the bridge just this bright white everywhere. Then the bridge came back into view and it was now a shining chrome bridge. In the distance I saw a tall figure with a big head. It looked frail and weak as it slowly came towards me. It looked like a stick insect and I felt I should give it some healing which I did and it then grew wings and became a healthy butterfly. I sensed a wonderful feeling of love coming from it and gave it a hug which made me sprout wings as I also turned into a butterfly and we both flew up into the bright white atmosphere with a great sense of freedom...

Interestingly we both chose a right-hand direction and both took off with a flying entity.

I put the music back on and we continued our session...

The room seemed to flicker to me with flashes around the ceiling.
I started to see bright blobs floating down from the ceiling.
I got one to stop in front of me and tried to see what it was. It got bigger filling my whole vision.
I felt there was something behind it and asked to see what was behind it but it slowly faded away leaving nothing.

Liz began to speak...

'Brenda... Something about a letter'

'Percell... as in the composer'

'Francis Bacon... I've got a tall man, a bit like Shakespeare with a globe... geography'

'Got an image of a baking dish, a meal, it's golden, complete harmony'

'This man in a lacy collar has something to say, it's like blowing a trumpet to wake the living and the dead, a wake-up call... concerned... pebbles in the sea, something to do with numbers building up... too many'

'Image of a footstool, it's like the Earth is this footstool... a support'

'Boomerang... when you throw it it comes back and if you're not careful it will hit you. Rebounds like an elastic band or the bow that releases the arrow, stretches so far and when you release it it will rebound... thwack... knock you off your perch, over stretched'

'At some point you set off on a journey. You get so far then you have to come back to base. You have to come back to restore, to refurnish, your provisions run out. If you carry on and don't heed the signs, running on empty, you die out, don't ever come back. There comes a point you have to come back. If you have gone too far the coming back is a bit of a shock, shock-wave. So there's a point of no return, you know you have to come back, that gets more urgent, the hunger pangs start to register, you're running on empty. You have to take note'

'So, you have a little globe. That globe is the Earth and it has to be sustained. You can either turn back in good time without the repercussions, shuddering, juddering, the Earth quakes, the disasters or you can blindly carry on only it won't be so blindly, a march to distinction. Getting close to a point of no return you want to take stock, review the situation, go back to base. Base is the place of basic needs, basic provisions, place where you do a stock check, count the costs, the balance'

'Every scientist, every inventor knows the importance of going back to the drawing board when you realise that you've gone a little bit off centre, not quite working out the best way possible. You don't carry on regardless you go back to the drawing board, start again, all the lessons learnt are useful, they can be factored into a new schedule, no shame, no waste in going back to the drawing board. The waste is to recklessly continue on a path that's going to lead nowhere. The signs of failure are already showing so take stock, stock check, re-calibrate, redesign. If enough people go back to the drawing board, go back to basics, basic needs, measured activity. If enough people refuse to carry on on empty then there's a chance to stop the juddering, bad side effects of over extension, thwack. It just takes enough people to resist the reckless pursuits of an illusory path to a prosperity that's a bit like the pot of gold at the end of the rainbow. The Earth is a tightly controlled ergonomic space, ergonomic energy system and you have to understand what real prosperity is. To prosper in the Earth is to be aligned with the natural state of the Earth not some illusory state of an ever-replenishing porridge pot, a constantly laying golden hen. The hen lays so many eggs and that's its lot, only in fairy stories does it go on laying forever. Have to work with the reality that's given'

'Violet... just wants to say hello. Violet has the scent of lily of the valley'

'Margery'

'Somebody from the coal mines'

'I get this image of a big policeman on a roundabout directing traffic, I sense there's someone there, a police force that's directing traffic here and the traffic is the pathways of the people of the Earth, the currencies, flows, the energy flows. Mental energy flows, the pursuits, directing the traffic is directing the commerce, the business. The vehicles are like pathways, pursuits, the avenues of the Earth, mobilisation, the way that the Earth is running. I have the feeling we don't have to worry there's a higher order in command of enforcement of natural law but we're being channelled, supervised. Some of us are awake to it. The majority not really aware of it but that's how it is. Man's vanity is to think that he is in control, is to think that he is alone on the Earth, that he has the upper hand, has the final say... no he doesn't. That's not to say he isn't important. Everything that lives has its place, is important in its own way and its own way is part of a greater mainstream, is part of a greater often unseen way. If we were to see the full picture we would understand because we do stand under. Well friends that's all and thank you Margery and Violet, bless you all'

'I just got a sense of Freddie, just the name saying something like Starship Earth, they are the helmsmen so we can be quite safe, these crazy helmsmen zig-zagging the zig-zag path'

I played a tune as Liz came back with it.

She got the name Gilbert White as she came back.

I then did the healing exercise, closing prayer and our closing down exercise...