This group began sitting in July 2013 as an experiment using the 'Basic Guide' published by the 'Scole Experimental Group' in 1996.

We've changed the way we sit over the years. I am continuing to develop trance mediumship and Liz gives a mixture of evidential clairvoyance, inspired speaking and trance...

Our intentions are to receive information that will help us understand the bigger picture, why we are here, what happens when we die, the mechanics of mediumship and how we can help in raising the quality of consciousness...

...Nick Pettitt

85th Sitting 03/11/2015


We had the room setup as usual.

I did the opening prayer at 8.40pm, turned out the light and put the music on.

We did the Rainbow Bridge Exercise…

Liz started off looking at an exquisitely beautiful series of three lakes with islands. They looked like Japanese gardens and were linked by a wickerwork bridge. They were full of rainbows, blossom, orchids and lilies and Liz was fascinated by the beauty and simplicity. A Japanese lady came forward and led Liz over to a beautiful temple like a pagoda in the middle of one of the islands. They were about to have a tea ceremony sitting in a circle of people with a fountain in the middle, all incredibly beautiful and exquisite. Liz was very happy just to sit there as they were served steaming yellow fragrant jasmine tea in tiny cups. In the distance she saw wonderful snowy mountains and a path leading there and then both the Japanese lady and Liz began to form a snake like movement out into the snow towards the mountains, a beautiful fluid movement to the mountains and back again. When they got back, instead of a fountain there was a brazier of fire and someone passed around a bowl of fragrant fire. Liz had the feelings of the elements and being completely content to just be in that place, be completely simple. Stillness, simplicity and contentment with exquisite beauty in that one place. Liz found herself looking at the Japanese lady and it was like she was talking to her as Liz saw her face and hands moving like a dancer, it was like they were dancing this scene…

I started off standing by a manhole cover that had been taken off revealing a hole so I decided to climb down it. There was a rope ladder and as I descended I saw that I was entering a new world, climbing down from the sky on this ladder until I reached some lush grass on the top of a hill. I looked up and saw the ladder disappeared into the blue sky. There were lots of children running around who didn’t seem surprised that I had just climbed out of the sky. I walked down to a shallow lake which had a waterfall on the other side so I went in and waded across to the waterfall then went through it to find a cave in the rocks which I entered. The walls were sparkling with gold and I saw people dressed in white robes standing by the walls as I walked into the cave. I journeyed further into the cave and I noticed the gold walls were becoming incrusted with precious stones and the people were wearing colourful jewellery, the further I went the more jewels and precious stones I saw. Then I came to a junction, one way continued with the gold and jewelled walls and the other was just a plain rock cave so I took the plain rock cave route which eventually came out into a room with a long table. Around the table sat what looked like monks eating soup and a chunk of bread. I joined them and was given a bowl of soup and bread and as I looked around I saw one of the people from the other cave was also there and as he ate, his robes and jewels started to disappear and he turned into one of the monks. He looked pleased and contented that he was now part of this simple living and I got the feeling that all the monks had come from the other cave to live a simple life…  

I put the music back on and we continued the session…

The room started to flicker to me.
Then it felt like there was something crawling in my hair.
It felt cold around my face.
I had a lot of pressure and itchy feelings in my right ear which continued on and off throughout the session.

It started to look wispy and wavy in the room to me.
Then it was lighter and misty.

My legs and feet became very cold.
My forehead felt tight.

Liz began to speak…

‘A sense of weight, golden bricks in my lap, a city of gold, like a lion, like Aslan, Narnia…’

‘It’s like the words in the background… Of what shall we build the house?’

‘I sense this house, almost like a tent, made of silks that have rainbow patterns, colours painted on them in silk and this silk is spun from the humblest of creatures the worm, turquoise…’

‘Image of these bubbles, bubbles have this filmy rainbow on the surface like in iridescent patterns on oily water, on an insect’s wing, these delicate membranes… Of what shall we build our house?’

‘I have the name Charmian or Charmain’

‘I’m seeing these silks again, embroidery silks, like walking down a path of sweet peas, very subtle pastel colours, scented, sheer artistry, the creation…’

‘When you look at bubbles that are forming a bubble can engulf another bubble, they can coalesce and form a bigger bubble. These are just subtle manifestations of energy perceived by the eyes or it can be music for the ears, manifestations of energy, one soundwave being modulated by another, absorbing another waveform, another function of light, the sound of energy, energy forms absorbing, coalescing, mixing with others. We can interpret this in different ways according to our cultural beliefs, our conditioning, can see it as savagery, extinction, murder of one species by another one, erased by another, invasions, take overs, assimilations. This is just the natural flow and transition and the creative patterning of energy in all its manifestations and it’s all perfect, it’s all how it is… Of what shall I build this house?’

‘It’s the mirage of phantasmagoria, moving, coalescing, shifting, shape changing, miracle. The patterns and the colours and the shapes and the sounds like clouds, changing, patterning and the bursting like bubbles…’

‘Got the name Henry or Henrietta, Henrik?’

‘I have a sense of the lessons to be learnt from this falling snow, this great vast snowy dessert, wilderness, that in the middle there’s absolute presence and fire lit in the middle of this snow and ice, and the wolf, the wind and the knife edge of survival sharpens the focus into the ice crystals, the meaning, the meaning of predation, of the predator and prey, it’s attunement, that the one becomes exquisitely sensitive of the energy of the other’ 

‘What we see as pain, suffering and cruelty in this world is just our interpretation of something we see as fixed which is in fact an energy construct, a waveform and if we saw it as music, patterns, iron filings in a field being moved, shifted in different ways forming different shapes, patterns, being absorbed, being individualised again, single note, single waveform and then bifurcating into a complex pattern and breaking up again, merging with a larger field pattern, all the time transforming. You see the objects as we see them of nature, in their true aspect of energy, the interactions, transitions and patternings can be understood, appreciated independent of our thinking, of our conditioned response, reaction’

The music ended and I asked if there was anything else to be said?

Liz continued…

‘I just have the lady in the silk komodo and she’s dancing. The komodo contains all the shapes and forms of all living things and around her are all created forms and the lion and the lamb are lying beside each other and are with her in friendship, there’s no fear because all forms are understood for what they are and she’s dancing the dance of creation and her name is Isis… That’s all…’

Once Liz felt back with it she did the healing exercise, closing prayer and our closing down exercise.

Liz had remained aware throughout the session whereas I had drifted in and out of sleep…